Kino Tricks

If you’ve read our earlier article on kino, you know it’s one of the most important aspects of game. Before continuing with this article, I’d advise you to re-read that one, because it contains fundamentals which you absolutely must understand before trying to apply this material. Applying these tricks without understanding two-steps-forward, one-step-back is likely to backfire.

As you gain experience, the material in this post will become less necessary. Nevertheless, when starting out, many aspiring PUAs feel the need for guidelines and tips to help them with their kino. The following routines and ideas may, therefore, be useful.

When hugging a girl to say hello, break the hug, and let your hands rest on her hips for a second while looking in her eyes. This can set a much more sensual intention for the rest of your interaction with her.

Palm reading is a good kino-building pattern. Put an hour or two of research in to get the basics down, and hold her palm lightly while you read it, tracing the lines on her palm with your fingertip. But when you’re done, be the one to break contact!

If she says something clever, go for a high-five. Make contact, hold her hand after the high five, and bring it down with your hands holding … then release.

The trust test is another good kino-builder. Ask her if she trusts you. If she says yes, say, okay, let’s do the trust test. Take her hands. Squeeze them lightly – if she squeezes back, she passes. Then lower your hands – if she lowers hers, she passes. Then make sure to let go of her hands – be the one to break the contact.

All of those work early in a set to establish a kino-heavy frame. Once you’re more isolated, the evolution phase shift is a useful routine. This one comes from Style. Notice how she smells, compliment her on the smell, and say something like: “You smell nice. Lots of people don’t pay attention to smells, but we’re still animals, and you’ll notice that animals, when they meet, or before they mate, always smell each other. It’s part of our evolution.” You can use this moment to lean in, brush her hair back, and smell her neck, creating some very powerful kino.

“This is why we like having our hair pulled, in the right way. How different is this from what lions do, biting each other’s manes?” Here you reach your hand into her hair, just above the back of the neck, and gently pull. It’s not a yank, and it shouldn’t hurt. It’s a firm, commanding pull.

The routine continues something like:

“The most sensitive places on the body are often places that don’t get much contact with air or light, like the inside of the elbow.” (Touch her there) “Or the crook of your neck,” (touch her there). These touches should be light, fleeting strokes. Then go on:

“One of the best feelings is to be bit right here,” point to your own neck. “Obviously, because the jugular is exposed, and lots of sexual fantasies involve dominance and submission. Go ahead, bite me.” If she’s into it, she will. This is incredibly powerful because you’re creating very intimate kino, but she’s actually making it happen. If she resists, punish for a second by turning away, then repeat the instruction, “Go ahead.”

Usually, her bite won’t be very good, so you tease her for having a lame bite and show her how to do it. This is important: you aren’t biting like you want to hurt her. A proper bite in this situation is a gentle pinch, where you take a big chunk of skin and gently slide your teeth over it until her skin slips out from between them. Practice on yourself until you get it right. So show her how to do it, then invite her to do it to you again. After she does, she’s usually ready for a kiss.

This routine can be broken up. You can use little pieces of it. You can bite on the inside of the arm rather than the neck. Take it and make it your own – you shouldn’t feel like you’re just spouting lines from a web page.

Lastly, Mystery came up with a very useful kiss-close. I’m not the biggest advocate of kiss-closes -I think you do best when you learn to just sense the moment and go for it. But while you’re learning, they can be a useful tool. The Mystery kiss-close is simple. You ask, “Would you like to kiss me?” If she says yes, you kiss her. If she says no, you say, “Well, I didn’t say you could. It just looked like you had something on your mind.”

Then smile and change the subject (and do not assume you can’t try again later!) But most of the time, if you’ve been running good kino and she’s turned on, she’ll say, “Maybe,” or “I don’t know,” or something hedged like that.

Then you can just say. “Let’s find out,” and kiss her. Remember to be the one to break the kiss!

One very important warning. Lots of people on the PUA bulletin boards offer “tricky” kiss-closes, where a girl commits to something only to discover that you’re “stealing” a kiss. I do not recommend these. The problem is simple: You want a girl to want you to kiss her. You want to create moments of anticipation. The last thing you want is a girl to feel like you tricked her into escalating with you, because then she’s likely to put up bigger walls, making it harder for you to escalate in the future. You’ve demonstrated that she can’t trust you.

Instead, you’ll notice how all these routines hinge on her active participation. Make her complicit in her own seduction. Start incorporating these kino tricks into your game, and watch your results improve!

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